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Verified WAEC Literature in English Answers for Objective and Essay Questions 2022

WAEC Literature in English Objective Answer

_INSTRUCTIONS_ : DRAMA & POETRY
NOTE:Answer ONLY ONE Question from each section.
✅SECTION A (1-4)
✅SECTION B (5-8)
✅SECTION C (9-10)
✅SECTION D (11-12)
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SECTION C;Answer One(1) From This Section!!
(10)
The poem addresses the problem of leadership crisis in Africa and the lingering problem of endless search for credible and transparent leader who is brave, courageous, fearless and compassionate and our inability to find any because of lack of trust. In the poem, the animals in the forest don’t trust one another to take up the leadership role of the animal kingdom. “When the zebra says it’s his right to lead/the pack points to the duplicity of his stripes”. “The elephant trudges into power tussle/but its colleagues dread his trampling feet”… Zebra and elephant therefore are not fit enough to rule because they lack good leadership quality despite the fact that facially, they are qualified.

 

However, it is the same with the African masses who do not trust one another to take over the leadership role of the country. This lack of trust is caused by religious and ethnic diversity wherein an Hausa man prefers to vote or bequeath power to his fellow brother irrespective of the leadership quality possessed by the person, while the Ibo man thinks that it is only his brother who is a Christian and Ibo by tribe, is the only person that is able and capable to lead.

Also, the lion who is the king of the jungle feels that he is competent enough to lead, but the antelope who is a faithful follower remembers his ferocious (violent) nature and how he unleashes it on the weaker animals, he changes his mind towards him. Even hyena and giraffe cannot lead because they are not only visionless but also lack trust.

It is quite evident in this poem and it is responsible for underdevelopment not only in Africa but also in Nigeria. In the poem, the animals are not united enough to challenge the lion who “…stakes his claim to leadership of the pack”. His dominance and ability to lord it over and subdue other animals cannot be properly put to check because the led, that is, the followers, don’t have one voice and cannot also alter their situation. Hyena says he is qualified and credible enough to take the animal kingdom to the next level, but impalas say, he cannot, because of his deadly appetite for dead animal meats. The animals are at one another’s neck as they just can’t agree on whom to choose to lead them. This lack of unity and spirit of oneness among the animals can be likening to the disunity among the African leaders and the masses. This is largely because of the religious and ethnic diversity of the masses, which is responsible for their inability to pick any qualified person among them to rule and team up against the ruling class and wrestle power from them.

Towards the ending of the poem, the persona tries to suggest the likely solution to the problem of disunity among our leaders. “A good leader should be “tough like a tiger, compassionate like a doe / transparent like a river, mysterious like a lake”. With the above-mentioned attribute, a leader can cause a change and unity to strive among the people.
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SECTION B;Answer One(1) From This Section!!
(6)
Jimmy attacks Alison both verbally and physically throughout the play since his wife reminds him of everything he despises from the beginning. Jimmy verbally attacks Alison and her family members because he wants her to answer a question about an article in the newspaper but Alison defends that she has not read it yet. He humiliates and attacks Alison and her brother, Nigel.
Contrary to Jimmy, Alison does not give any direct reaction against Jimmy’s aggressive behavior. She prefers to maintain silence. She knows that if she gives any reaction to his attack, he will be triumphant. Alison’s silence and seeming ignorance can also be considered as a weapon in order to save her from Jimmy’s assaults. Jimmy not only attack Alison but also other members of her family and her friends. He calls her parents “Militant, arrogant and full of malice”
He labels her friends “sycophantic phlegmatic and of course, top of the bill pusillanimous.
Jimmy also hates Alison’s mother because she is dedicated to her middle classrooms and her concern about her daughter marrying a man beneath her social status that she even hire a detective to watch Jimmy because he does not trust him. This makes him angry at middle-class value. He therefore calls Alison’s mum “old bitch” and she should be dead.
Consequently, Jimmy’s anger against every member of the play can be attributed to his rough and thorny background and his loss of childhood. Jimmy is frail and insecure because he says he was exposed to death, loneliness and pain at a very early age.
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(7)
Troy whose income cannot even settle his family’s need is busying dragging the family name on the mire.
So, Troy struggles to fulfill his role as a father to his son and husband to his wife. He does not do much before his demise. The family he ruled with Iron hand or hard-handedness is torn apart, as his son; Cory turns against him and also becomes a rebel. After leveling serious criticism on how Troy tormented his life and dreams for a better future, he vows not to attend his funeral.

Cory laments bitterly, Troy’s adulterous act with Alberta also contributes to Troy’s backwardness and family disintegration. The nature of trust between Rose and Troy is broken here, because Rose has vowed never to have anything to do with Troy, especially when the news about Alberta’s pregnancy for “Troy filters in.

To further demonstrate that Rose is an embodiment of unity and family’s rebirth, she tries to convince Cory not to speak despicably against his dead father and to assure him that Troy means well for the family, “Your daddy wanted you to be everything he wasn’t… and at the same time he tried to make you everything he was… he meant to do more good than he meant to do harm” Rose cautions Cory. Troy also sees Rose as a good woman capable of uniting the family when he says…

Also, Rose forgives Troy and accepts to bring up Raynell, that is, the illegitimate daughter of Troy and Alberta who died shortly after child birth in order to promote peace harmony and family integration in Maxsons.

SECTION A;Answer One(1) From This Section!!
(1)
In Senehun and Mendeland at large, women are not treated as equals of men. Women are considered fragile, vulnerable and incapable of managing crises. At the beginning of the play when Gbanya drags Yoko into the inner chamber, he claims that he needs Yoko more than her Sande girls. To him, women have no responsibility than to satisfy men’s sexual urge.

Initially, Gbanya has promised Yoko she would be his successor. However, with troubles around, he feels reluctant to handover the throne to her because he believes women cannot handle a land at war. This is the same stance of Lamboi. The excuse he gives for wanting to kill Gbanya is because he does not want the latter to appoint Yoko as his successor.

In Mendeland, women usually are not allowed into the Poro cult. Yoko is the only exception. In the village, there is a certain prejudice held against women. They are considered inferior and except for Yoko who forges ahead, women are not assigned ruling positions.
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(4)
Play-within-a play is one of the device commonly employed by playwrights in which the characters of a play perform brief dramatic sketches in the course of the play. In this play, it is used as a form of flashback in “The dance of the lost traveler” to enact the experience of the Lagos visitor. Through the play, the audience gains an insight into the ordeal of the Lagos visitor during his first visit who has problems with his car and has to abandon it to continue his exploration on foot.
The second play is dramatized to illustrate how Baroka bribes the surveyor to divert the railway track from llunjunle.
The third play is called “The dance of virility employed to mock Baroka which involves a combination of music, mime, and movement meant to entertain the characters themselves.
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WAEC Literature in English Answer Number one

(No 1)

SECTION A
(1)
Lawyer Nweze courts the attentions of Beneatha. In trying to win her affections, he is persistent but never overbearing. He flatters her with gifts (something that George Murchison has not done); in addition, Asagai’s gifts are not meaningless trinkets but are things that are both useful to and desired by Beneatha — such as the Nigerian robes he clearly has gone to a lot of trouble to obtain. Asagai’s compliments to Beneatha are sincere and therefore believable. His peaceful ways and calm manner give Beneatha an appreciation of his views even when they disagree. Contrasted with George Murchison’s abrasive put-downs of Beneatha and George’s insistence on retaining his narrow-minded views, Asagai appears as Beneatha’s savior from the potential tragedy of her eventually becoming George’s wife. In other words Asagai is helpful and concerned about the welfare of others. He volunteers to assist in the move to Clybourne Park and offers much-needed consolation and good advice to Beneatha when she is at her lowest. He counsels Beneatha spiritually and emotionally, helping her to get back “on track” as she rails against her brother’s foolishness in having lost the money.
He was used in the play to make a radical point about race

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WAEC Literature in English Answer Number Two

(No 2)

*SECTION A*
*Q2*
At the beginning of the novel, Adah is a child of an Ibo from Ibuza, Nigeria, living in Lagos. She dreams as a young girl of moving to the United Kingdom. After her father dies, Adah is sent to live with her uncle’s family.

She is able to stay in school in Nigeria and attains employment working for the American consulate as a library clerk. The compensation from this job is enough to make her a desirable bride to Francis (her now husband) and in-laws.

Francis travels to the United Kingdom for several years to pursue the study of law. Adah convinces her husband’s family that she and the children also belong in the UK. Francis believes they are second-class citizens in the United Kingdom as they are not citizens of the country. Adah finds employment working for another library and pays for their expenses, while also providing primary care for their children.

Later, we see Francis become increasingly abusive and dismissive of Adah as she pursues becoming a writer.

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WAEC Literature in English Answer Number Three

(No 3)

(3) HOW MASSA IS BURIED
MASSA IS BURIED to the poet in the above poet, the summer has many defects unlike his beloved. In other words proceeds to outline the ways in which she actually exceeds it. First, he says that a summer day is actually not as lovely or temperate as she is. Sometimes “Rough winds shake the darling buds” and “summer’s lease hath all too short a date”; in other words, summer can be somewhat extreme, even volatile, and it does not last very long because it eventually gives way to autumn. Further, sometimes summer can be “too hot” and then, other times, the sun goes away for a long time (when “his gold complexion” is “dimm’d”). Furthermore, nature’s beauty has a way of “declin[ing] ” as time passes. The speaker’s love, on the other hand, lives in an “eternal summer” because her beauty will never die; he has immortalized her and her beauty in these lines, and so she is better than literal summer. Hence the defects of the summer is day makes it impossible to be compared to the poet beloved.

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WAEC Literature in English Answer Number Four

(No 4)

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WAEC Literature in English Answer NUMBER Five

(No 5)

The narrator’s encounter with Kimbro is seen at the liberty paint plant.

The narrator’s entrance to the paint plant is uneventful as he must cross a bridge in the fog, implying that, he is unable to see out around him. The narrator is sent to Mr. Kimbro who will serve as his boss. This man dishes out instructions and also asks the workers not to ask questions. The narrator’s first job is with the pure white paint the company is known for. When the narrator mixes the wrong ingredient into the paint because he is afraid to ask Kimbro questions, the paint turns a dull grey underneath the white. Kimbro notices the difference and he’s fired from the job and he’s sent to another Boss, Mr. Brockway, who has a position in the basement as a sort of engineer. Brockway bombards the narrator with numerous questions about his past before he gives him a job.

 

It was after the sacked of the Narrator by Kimbro that he had another bad encounter with his new boss and it was at the point of explanation that the new Boss Brockway who explodes in anger at his participation in a union. Brockway physically attacks him, refusing to listen to his explanation. The narrator becomes enraged and fights off Mr. Brockway, knocking his teeth out. As a result of inattention to the gauges in the room, the pressure goes over the allotted mark, the narrator tries to pull the value back under control all to no avail. The tank bursts and the narrator is knocked unconscious.

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SECTION B

(6)
Ras represent the white man perceptions and treatments of blacks using poet.
The poet use of rhetorical question beginning from In stanza 2, the poet laments further that if Africans ”Cry roughly” of their torments which started from the colonial times which he refers to as, ”… the start of things”, he wonders who will watch their ”large mouths” when they yell for help.
In stanza 3, the poet continues to lament that nobody will be emotional(represented by ‘heart’) enough to listen to their ‘clamouring’ and if by chance, they realize their predicament and grow angry, nobody will hear them as he terms any late realisation and anger as, ‘pitiful’. In stanza 4 & 5, the poet supports the reoccurring belief that the dead serve as ancestors and protect the living from evil forces. In these stanzas,the poet wonders that when the living dies (our dead) and meet the ancestors (their dead) whose advice has fallen on deaf ears and whose ‘wild appeals’ have been ignored, they (the living, now dead) would remember their warnings and regret not ever listening. The poet continues that they (the ancestors) left their signs on earth, water and air for their ”blind, deaf and unworthy sons” who see ‘nothing’ they have made. In stanza 6, the poet continues that since the Africans did not heed the advice of their ancestors, he wonders who will hear their ‘sobbing hearts’ when they ‘weep gently’.

WAEC Literature in English Prose Answer

*SECTION B*
*Literature in English Answers*
*Q8*
The central theme of Wuthering Heights by Emily Brontë is the relationship between Cathy and Heathcliff. The problem of the bond between Cathy and Heathcliff and its significance remains the central mystery of the novel till the very end. In fact, the novel is a revengeful love story of Heathcliff, the protagonist.

Catherine is the daughter of Mr & Mrs. Earnshaw and Heathcliff is a pickup boy by Mr. Earnshaw from the slums of Liverpool city and is named Heathcliff Earnshaw by Mr. Earnshaw. Mr. Earnshaw’s treatment towards Heathcliff is likely a father’s treatment towards his own child. Environment of the moor and same dwelling place gives both Cathy and Heathcliff a greater chance to develop their romantic love-affair. In addition, Cathy’s own brother, Hindley’s hostile and cruel treatments towards Heathliff fines Cathy’s love for Heathliff.

As children, Cathy and Heathcliff seem to represent the spirit of Freedom as they are rebelling against the tyrannical authority represented by Hindley. They are also rebelling against religious bigotry as represented by Joseph.

Their love exists on a higher or spiritual plane; they are soul mates, two people who have an affinity for each other which draws them together irresistibly. Heathcliff repeatedly calls Catherine his soul.

A life-force relationship is a principle that is not conditioned by anything but it. Catherine and Heathcliff’s love is based on their shared perception that they are the same. Catherine declares, famously, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, wails that he cannot live without his “soul,” meaning Catherine.

Both Cathy and Heathcliff love each other profoundly. Yet we notice some ambiguity in both Cathy’s speech and action.

Cathy and Heathcliff are creatures of the wild moorland where conventional social standards are meaningless. After meeting with Edgar, Cathy develops an interest towards him. She now seems to be equally interested in Edgar and Heathcliff. She has not certainly given up Heathcliff. In fact she defines her brother Hindley and manages to meet Heathcliff secretly. Indeed there remains a striking contrast between Edgar and Heathcliff far as behavior, looks and refinement is concerned. And it is obvious for a sweet girl of fifteen to be in dilemma about both of them because one is her earlier love and later another appears with more redefined and behavior.

Cathy decides to marry Edgar for his social status. She decides to marry Edgar for his social standards. Indeed he is handsome, young and cheerful. But she informs Nelly, the house keeper, of her profound attachment to Heathcliff, saying

“Nelly he (Heathcliff) is more myself than I am. Whatever our sols are made of, his ad mine are the same.”

But Heathcliff who loves Cathy more than anything in his life overhears Cathy saying to Nelley:-

“It would degrade me to marry Heathcliff, now.”’

He would not hear further as he leaves with his heart which is teared up into several pieces and blood is blowing from his hear inwardly. From this context of Cathy’s speech we can have a clear notion that the love affair between Cathy and Heathliff is anti-social as Heathcliff is a pick up boy and then is no trait of his parents.

After overhearing such stuff, Heathcliff leaves the Wuthering Heights without saying anything to anybody and leaves no traces of him.

When Heathcliff has left, Cathy marries Edgar. After her marriages she understands her betrayal of her true self and as a result she is going to be sick and ill in accordance with the passing of days. After six months of their marriages, Heathcliff returns and seeing him live Cathy feels so delighted. Inspite of Edgars dismay, Cathy and Heathcliff sit looking at one another “absorbed in their mutual joy to suffer embarrassment.” Yet there is no romantic erotic infatuation.

Though she is married to Edgar, she fwhichan ardent love and desire for Heathcliff which is anti- social. She believes that Linton is subordinate and that Heathcliff is part of her.

 

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